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Phil Mickelson returns to scene of his most crushing defeat aiming for career grand slam at U.S. Open

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The course was the site of his most excruciating defeat when in 2006, needing just a par on the final hole — or a bogey to take it to a playoff — to claim his first U.S. Open title, the American hit the ball off a hospitality tent and made a double-bogey, handing the title to Geoff Ogilvy.

And while the crushing nature of that defeat didn’t hold Mickelson back — he went on to win two more majors — the memories from Winged Foot will no doubt forever stick with him.

While the career grand slam still remains elusive to Mickelson as he returns to Winged Foot for the 120th U.S. Open Championship, which begins on Thursday, one thing that has changed is his body. He took to Twitter to show his transformation since 2006, admitting he looks a little “different” now.

“Last time I was at Winged Foot, I was 36 years old with no accountability for my health … After becoming accountable for my own health, today I return to Winged Foot and let’s just say I look a little ‘different.'”

Mickelson waits to hit from the rough during the final round of the 2006 U.S. Open Championship.

A tough test

When Mickelson lost that heartbreaker at Winged Foot 14 years ago, the winning score was five over par. The score to make the cut that year was 13 over.

In contrast to the 13 under Gary Woodland shot in June last year to win the U.S. Open at Pebble Beach, many are expecting another over-par score to win the championship in 2020.

The winning score has been over par in all but one U.S. Open at Winged Foot; Jack Nicklaus once described the course as getting “tough on the first tee and never getting any easier.”
And after playing the course before the Tour Championship last week, Jon Rahm — the world No.2 — believes players will once again struggle to make birdies.
“It’s just a difficult course. It’s long. It’s narrow. It’s undulated,” the Spaniard said. “You just need to play really good golf.

“If it gets firm like some of the USGA guys (the tournament organizers) told me they want it to be, I don’t see how any of us shoot under par. Or if we shoot under par, it would be somebody winning by a lot.”

Mickelson stands on the 18th green after his last putt in the final round of the 2006 U.S. Open Championship.

The man to beat

Since golf returned from the coronavirus hiatus, Dustin Johnson has been in red-hot form.

In 10 PGA Tour events, the 36-year-old has won three and finished second twice — including last month’s PGA Championship — and also won the season-ending FedEx Cup title.

As well as pocketing over $15 million for his FedEx Cup victory at East Lake, Atlanta and returning to world No.1, Johnson was named the PGA Tour’s Player of the Year.

Entering the U.S. Open, Johnson is undeniably the man to beat, and he told the media that he was “pleased” with the way his game has been “clicking” in recent competitions.

“Obviously I’ve just put in a lot of good work. I feel like it’s nice to see that the work you’re putting in, to be able to take it on the golf course and to golf tournaments,” he said.

“I’ve spent a lot of time with (coach) Claude (Harmon III) and my brother working on the putting and everything just seems to be clicking right now. But I’ve definitely had to put in a lot of work to get to where I’m at. And obviously the game’s good and it feels good.”

Johnson celebrates with the FedEx Cup trophy.

Creating better memories

In 2006, when the U.S. Open was last held at Winged Foot, Tiger Woods was competing just six weeks after the death of his father Earl.
And Woods admits that he wasn’t in the right mindset to play well then, as he missed the cut by three shots. “I was not prepared to play and still dealing with the death of my dad,” he said on Tuesday.

“When I didn’t win the Masters that year, that was really tough to take because that was the last event my dad was ever going to watch me play.

“He passed not too long after that, and quite frankly, when I got ready for this event, I didn’t really put in the time. I didn’t really put in the practice, and consequently missed the cut pretty easily.”

Woods hangs his head after hitting it into the rough on the 15th hole during the opening round of the 2006 U.S. Open.

Now the 44-year-old is back at Winged Foot hoping to create new, more positive memories as he aims to win his first U.S. Open title since 2008.

Since golf returned from the break, Woods has struggled for fitness and form, playing in just four PGA Tour events, his highest finish coming at the PGA Championship when he tied for 37th.

“This year I really haven’t putted as well as I wanted to,” Woods said, “and the times I did make a few swing mistakes, I missed it in the wrong spots. Consequently, I just didn’t have the right looks at it. I’ve compounded mistakes here and there that ended up not making me able to make pars or a birdie run, and consequently I haven’t put myself in contention to win events.”

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‘Unexpected’ iPhone and iPad update threatens app glitches

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By James Clayton & Leo Kelion
Technology reporters

iOS 14

image copyrightApple

Owners of iPhones and iPads are being warned that some apps may experience glitches because Apple only gave a day’s notice of the release of a major update to its mobile operating systems.

Chief executive Tim Cook revealed on Tuesday that iOS 14 and iPadOS 14 would launch on Wednesday.

Last year, Apple announced the release date more than a week in advance.

Developers have complained they do not have enough time to check for bugs and submit their products to the App Store.

They include big names such as Nintendo, which has warned gamers that its Animal Crossing: Pocket Camp app

will not launch after the update.

image copyrightNintendo
image captionNintendo is urging gamers to hold off installing iOS 14

It has advised players to delay installing the new operating systems until later this month.

Apple declined to comment.

Feeling blindsided

Mr Cook described the updates as being a “huge release that transforms the core experience” of using its mobile devices.

But within minutes of the announcement, developers started posting on social media that they had been blindsided by the timing,

“Cannot believe they are just shadow-dropping iOS 14. That feels so horrible as a developer,” tweeted Sawyer Blatz, who works on the budgeting app Nudget.

One prominent voice in the developer community told the BBC he was “shocked” by the announcement.

Apple had failed to “give developers any notice, or final tools to submit their apps,” said Steve Troughton-Smith.

“It’s definitely possible that some apps might not work correctly.”

Even apps that do not exhibit obvious problems may still lack planned features that were supposed to have been ready in time for the upgrade.

Although developers have been able to test their software running under “beta” versions of the new operating systems for months, the final “golden master” versions have only just been released.

Some developers have also reported problems trying to rush their products through Apple’s app review process to meet the deadline.

image copyrightTwitter

The development threatens to worsen relations between Apple and developers.

Many in the community have already complained about the 30% cut the firm takes from sales and its sometimes “opaque” review process.

The issue overshadowed Apple’s WWDC conference earlier in the year, when it became involved in a high-profile public row with the creators of a new email app called Hey.

More recently, a clash with the games developer Epic has led to Apple device owners being unable to get the latest version of Fortnite or install the game at all from scratch.

Apple’s restrictions on third-party games platforms have also been criticised by Microsoft, and led to iPhone and iPad users being unable to play Xbox games on the devices, despite them being made available to Android.

Apple, however, justifies its actions on the grounds that its policies provide security to users and let it invest in support for the wider app economy.

How to prevent iOS 14 and iPadOS 14 installing

Some people’s devices are set to auto-install Apple’s mobile updates.

In general, this can be a good idea to ensure that the latest cyber-security protection and features are automatically added when a device is plugged in overnight and connected to wi-fi.

However, this facility is limited to “point releases” and not the major “round-numbered” updates, like the move from iOS 13.7 to iOS 14.

In this case, the new code will still be downloaded in the background on devices running versions 13.6 and above, but will not install without first seeking the user’s express permission, which can be declined.

Owners can check if this will happen by:

  • Opening the Settings menu via the gear-like icon on the apps screen
  • Clicking on General and then Software Update
  • The screen will then if the device “will automatically install updates”
  • To change this they can click on Customise Automatic Updates, which provides an option to turn off the automatic download if desired

New features

Those who dare to become early adopters face a significant overhaul to Apple’s mobile operating systems.

Widgets can be added to home screens to display the weather, time, stock prices or other information at a glance, and the selection can be set to change according to the time of day.

image copyrightApple

image captionApple has followed Google’s Android in allowing widgets to appear on its devices’ home screens

Apps can be automatically arranged into themed folders to make it easier for users to find their favourite services.

And videos and Facetime calls can be made to appear in a small box that floats above the app in use, rather than taking up the full screen.

  • a new Translation app
  • new cycling directions in Maps
  • new ways to customise the cartoon-like Memoji owners can use as avatars

IPad owners also gain new features for the firm’s Pencil stylus, including the automatic conversion of handwriting into text and shape recognition.

“Users will no doubt value the substantial changes to the user experience in iOS 14, improving utility and productivity,” commented Simon Forrest from the consultancy Futuresource.

image copyrightApple
image captionWidgets can be placed on the iPad’s larger screen without having to sacrifice as many app icons as on an iPhone

He added that developers would also benefit from the extended access Apple had given them to its processors’ “neural engines”, which should make it possible to carry out more AI tasks on-device rather than relying on remote computer servers.

Related Topics

  • iPhones

  • Apple
  • Apps



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Plug-in hybrids are a ‘wolf in sheep’s clothing’

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Generic image of electric car chargin bays in a parking lotImage copyright
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Carbon dioxide emissions from plug-in hybrid cars are as much as two-and-a-half times higher than official tests suggest, according to new research.

Plug-in hybrid vehicles are powered by an electric motor using a battery that is recharged by being plugged in or via an on-board petrol or diesel engine.

They account for 3% of new car sales.

But analysis from pressure groups Transport and Environment and Greenpeace suggest they emit an average of 120g of CO2 per km.

That compares with the 44g per km in official “lab” tests

Plug-in hybrid electric vehicles (PHEVs) are sold as a low-carbon alternative to traditional vehicles and conventional hybrids – which cannot be recharged from an external source – and are proving increasingly popular.

The new research is published as the government considers whether to bring forward a proposed ban on the sale of new petrol, diesel and conventional hybrid cars from 2035 to 2030.

‘Official’ versus ‘real world’

The BBC understands one suggestion is that plug-in hybrids should be given a stay of execution, with new sales allowed to continue until 2035.

That’s because they can offer a 20- to 40-mile range as a purely electric vehicle and are therefore potentially significantly less polluting than other vehicles.

But this new analysis from Transport and Environment and Greenpeace suggests they don’t offer anything like the carbon dioxide savings claimed for them by manufacturers.

The official tests indicate that plug-in hybrids emit an average of 44g per km of CO2. These tests are conducted on a circuit and see vehicles driven in a way that regulators consider “normal”.

The real figure, however, according to the report, is more like 120g per km.

The pressure groups have analysed what they say is “real-world” data on fuel efficiency collected from some 20,000 plug-in hybrid drivers around Europe.

These are drivers who have chosen to record their mileage and fuel consumption for surveys or who drive company or leased vehicles whose fuel efficiency is recorded.

According to this data-set the lifetime emissions of a plug-in hybrid average around 28 tonnes of CO2.

By comparison, the average petrol or diesel car is estimated to emit between 39 and 41 tonnes of CO2 from fuel during its lifetime, a conventional hybrid would typically emit more like 33 tonnes.

According to these figures a plug-in hybrid would only deliver an emissions reduction of about a third on a typical petrol or diesel car – far less than the official estimates.

The motor industry acknowledges that lab tests don’t always reflect real-world use but criticised the report, saying it uses emissions data from a test that is two years old.

“PHEVs provide a flexibility few other technologies can yet match with extended range for longer, out-of-town journeys and battery power in urban areas, reducing emissions and improving city air quality,” Mike Hawes, the chief executive of the Society of Motor Manufacturers and Traders told the BBC.

He says he expects the range and performance will continue to improve, making them an “essential stepping stone to a fully electric vehicle”.

Greenpeace meanwhile describes PHEVs as “the car industry’s wolf in sheep’s clothing”.

“They may seem a much more environmentally friendly choice,” says Rebecca Newsom, the pressure group’s head of politics, “but false claims of lower emissions are a ploy by car manufacturers to go on producing SUVs and petrol and diesel engines.”

Driver behaviour

Transport and Environment’s analysis says a key problem with plug-in hybrids is that so many owners rarely actually charge their cars, meaning they rely on the petrol or diesel engine.

Another is that many plug-in hybrid models include design features that automatically turn on the petrol/diesel engine at start-up on a cold day, or will kick in that engine if driver accelerates hard.

The latter mode means that the car’s emissions will depend a lot on the driver’s behaviour.

“If you always charge the battery and tend to do lots of short journeys, they will have very low emissions,” says Nick Molden, who runs Emissions Analytics, a company that specialises in vehicle emissions evaluation.

“If you never charge the battery and drive very aggressively then they can have significantly higher emissions than the equivalent petrol or diesel model,” he continues.

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TikTok: Cambridgeshire police officers warned over ‘offensive’ videos

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Tik Tok

image copyrightGetty Images

image captionThe officers posted videos to video-sharing social network TikTok

Two police officers committed gross misconduct by posting “offensive and inappropriate” TikTok videos while in uniform, a

misconduct panel has found.

PCs Amy Taylor and April Cooper of Cambridgeshire Police posted clips of themselves “shouting offensive language” in a police car and dancing inappropriately in a police station.

The officers told the hearing the videos were “to boost morale”.

Both officers were given final written warnings.

Chief Constable Nick Dean said: “There is no doubt in my mind that the clips have damaged the reputation of this constabulary.”

They were reported by a member of the public who had seen the videos and felt they were “unprofessional”.

‘Insensitive to those suffering’

In one video both officers were in uniform “dancing in an inappropriate way utilising fire marshal tabards”.

In another video clip PC Cooper was seen in uniform shouting “coronavirus” down a phone with the caption “when calling in sick at work and they ask what’s up”.

Chief Constable Dean said in his ruling: “This clip was made in the height of a pandemic which is still ongoing yet you appear to be insensitive to the many thousands who have suffered and the vital role that emergency services and other agencies played in this outbreak, and continue to do so.

“This clearly shows a lack of respect and sensitivity to those that were suffering or indeed their families and friends.

“The respect shown to your colleagues in behaving this way demonstrates a lack of respect for them and a lack of self-control by you both.

“It cannot be said that this was a momentary lapse of concentration.”

The hearing was told the reach of the videos on social media had been extensive before they were taken down.

Find BBC News: East of England on Facebook, Instagram and Twitter. If you have a story suggestion email eastofenglandnews@bbc.co.uk

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UK Space Agency funds tech for orbital awareness

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D-Orbit's carrier vehicle has cameras that could also look for nearby space debrisImage copyright
D-ORBIT

Image caption

Artwork: D-Orbit’s carrier platform has cameras that could also look for nearby space debris

New approaches to tracking satellites and debris in orbit are to get a boost from the UK Space Agency.

UKSA is giving over £1m to seven firms to help advance novel sensor technologies and the smart algorithms needed to interpret their data.

Finding better ways to surveil objects moving overhead has become a high priority issue.

With more and more satellites being launched, there’s growing concern about the potential for collisions.

A big worry is the burgeoning population of redundant hardware and junk in orbit – some 900,000 objects larger than 1cm by some counts, and all of it capable of doing immense damage to, or even destroying, an operational spacecraft in a high-velocity encounter.

The projects being supported by UKSA come from a mix of start-ups and more established companies.

The overriding goal is to improve ways to spot, characterise and track objects.

Ultimately, this is information which could be fed into the automated traffic management systems of the future that will keep functioning satellites out of harm’s way.

The funded projects include:

  • Lift Me Off: To develop machine-learning and artificial intelligence techniques to distinguish between satellites and space junk.
  • Fujitsu: To also develop machine-learning approaches and quantum-inspired processing to improve mission planning to remove debris.
  • Deimos and Northern Space and Security: To both develop a new range of optical sensors to track space objects from the UK.
  • Andor: To enhance the sensitivity and speed of its camera detector technology to map and track ever smaller sized debris objects.
  • D-Orbit UK: To refine the use of recently launched sensors to capture images of, and characterise, objects moving around a spacecraft.
  • Lumi Space: The company is developing laser ranging technology to again spot, characterise and precisely track objects in orbit.

Image copyright
DEIMOS

Image caption

Deimos is developing technologies to track space objects from the UK

“We’ve known for a long while that the space environment is getting more difficult, more cluttered,” said Jacob Geer from UKSA. “Space surveillance and tracking is one of the key things we can do to keep safe those satellites we rely on now, and to make sure certain orbits don’t become inaccessible for future generations because there’s too much debris in them.

“We had 26 proposals come to us and I think we’ve selected a good cross-section of ideas in the seven companies we’re supporting,” he told BBC News.

While a lot of these projects are still at the lab stage, D-Orbit’s work is dedicated to pushing the capability of some of its hardware already in space.

The company recently launched a vehicle to carry and deploy a clutch of small satellites. This vehicle uses cameras to photograph its surroundings and to map the stars for the purposes of navigation.

D-Orbit has the idea of using the cameras’ imagery to also identify passing junk.

“One of the challenges in using star trackers is filtering out objects that are not supposed to be there – obviously, because you’re trying to compare what you can see against a star catalogue,” explained D-Orbit’s Simon Reid. “And, of course, it’s those extra objects which in principal are the things that are potentially debris.”

The funding announcement also coincides with the signing of a new partnership agreement between the Ministry of Defence and UKSA to work together on space domain awareness.

Both have valuable assets and interests in orbit that need protecting. And for the UK taxpayer, this investment was recently deepened with the purchase out of bankruptcy of the OneWeb satellite broadband company.

The UK government is now the part owner of one of the biggest spacecraft networks in the sky. OneWeb has so far launched 74 satellites in its communications constellation, with plans to put up thousands more.

Business Secretary Alok Sharma said: “Millions of pieces of space junk orbiting the Earth present a significant threat to UK satellite systems which provide the vital services that we all take for granted – from mobile communications to weather forecasting.

“By developing new AI and sensor technology, the seven pioneering space projects we are backing today will significantly strengthen the UK’s capabilities to monitor these hazardous space objects, helping to create new jobs and protect the services we rely on in our everyday lives.”



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‘Record-setting year’ for wildfires is ‘far from over,’ Cal Fire spokesperson warns

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A “record-setting year” for wildfires is “far from over,” Cal Fire spokesperson Daniel Berlant warned on Monday.

“This has absolutely been a record-setting year. Well over 3.2 million acres have burned in California,” Berlant told “America’s Newsroom.”

To put it into perspective, Berlant noted that 3.2 million acres is over the size of the state of Connecticut.

“A significant amount of land has been burned. We’ve had major destruction and, even sadly, two dozen fatalities already and we still have several months to go in our fire season here. Unfortunately, this record-setting year is far from over,” Berlant said.

WILDFIRES ON WEST COAST LEAVE AT LEAST 35 DEAD, EVACUEES DESCRIBE HAVING ‘LOST EVERYTHING’

The death toll from dozens of wildfires burning along the West Coast has grown to least 35, as gusty winds on Monday threatened to fan flames in parts of the region.

Tens of thousands of people have been forced to flee their homes, with many returning to find only charred rubble.

Cal Fire said as of Monday, the North Complex has scorched some 261,488 acres and is only 26% contained.

Some 3,351 fire personnel are assigned to the blaze, but firefighters are also among those losing their homes.

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Berlant said that the North Complex fire was “really wind-driven.”

“The fire was able to burn everything in its path and with everything firefighters could do just to help rescue people but, again, a very deadly fire,” the spokesman said. “And it is very likely that the number of fatalities on that fire will increase. I think that fire is just an example of just how dramatic these fires can burn and how quickly they can leave a lot of destruction in their path.”

Fox News’ Travis Fedschun contributed to this report.

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TikTok: Oracle confirms being picked by Bytedance to be app’s partner

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By Leo Kelion
Technology desk editor

Trump and TikTok logo

US tech firm Oracle has confirmed that TikTok’s owner has formally proposed it become a “trusted technology partner” to the video-sharing app.

Full details of the tie-up have yet to be disclosed, but the aim is to avoid President Trump’s threat to shut down the Chinese-owned service in the US.

Trump has cited national security concerns, suggesting users’ data could be accessed by Beijing under current arrangements.

Current owner Bytedance denies this.

It says it has taken “extraordinary measures to protect the privacy and security of TikTok’s US user data”, which is stored in the States and Singapore.

Oracle is a database specialist without experience of running a social media app targeted at the general public.

Earlier in the day, the US Treasury Secretary Steven Mnuchin said that the Trump administration had been contacted by the American firm to discuss plans to make TikTok a US-headquartered company. He said the White House intended to review the idea this week.

Microsoft had also attempted to buy the platform, but revealed it had been rejected on Sunday.

Bytedance has yet to comment on the latest development.

Oracle’s shares were trading about 7% higher in mid-morning trade in New York.

“While I can see the upside for Oracle from a cloud perspective, it is hard not to think how much of this deal rests on politics rather than tech,” commented Carolina Milanesi from the Silicon Valley-based research firm Creative Strategies.

Oracle’s chairman, the billionaire Larry Ellison, is a supporter of Mr Trump and in February held a fundraiser at his California home to aid the Republican leader’s re-election campaign.

The White House is also taking a harsh line against other Chinese tech companies – including Huawei, Tencent and a number of artificial intelligence start-ups – restricting what business they can do with US counterparts without the administration’s approval.

President Trump had given TikTok’s owner Bytedance until this week to secure a deal.

Failure to do so would have seen US companies prevented from doing business with it from Sunday, and Bytedance being forced to give up TikTok’s US operations one way or another by 12 November.

The app’s US team sued the US government last month in an effort to challenge the moves.

Oracle was not the favourite to buy or otherwise link up to TikTok’s US arm – Microsoft was the early frontrunner.

But as time wore on, Microsoft became increasingly concerned about what it would be acquiring.

It became clear that China might attempt to block the sale of the technology behind the app’s powerful algorithm.

Privately there were concerns too that Microsoft was about to create a rod for its own back by becoming involved with a mass market, youth-focused social network – it already owns LinkedIn, but that caters for a very different audience.

Political bias, child safety issues and right-wing militias are just some of the problems TikTok has had to deal with in the last few months.

Even so, TikTok’s hundreds of millions of users make it an attractive proposition in a sector where size is everything: if all your friends are on a platform, you too are more likely to join.

Oracle has decided it’s worth the risk.

The big questions now are what exactly is Oracle’s involvement, and will the tie-up be approved by the US and Chinese authorities.

TikTok Timeline

image copyrightEPA

March 2012: Bytedance is established in China and launches Neihan Duanzi – an app to help Chinese users share memes

September 2016: Bytedance launches the short-form video app Douyin in China

August 2017: An international version of Douyin is launched under the brand TikTok in some parts of the world, but not the US at this time

November 2017: Bytedance buys lip-synch music app Musical.ly

May 2018: TikTok declared world’s most downloaded non-game iOS app over first three months of the year, by market research firm Sensor Tower

August 2018: Bytedance announces it is shutting down Musical.ly and is moving users over to TikTok

February 2019: TikTok fined in US over Musical.ly’s handling of under-13s’ data

October 2019: Facebook’s Mark Zuckerberg publicly criticises TikTok, accusing it of censoring protests

November 2019: The Committee on Foreign Investment in the United States (Cfius) opens national security investigation into TikTok

May 2020: TikTok hires Disney executive Kevin Meyer to become the division’s chief executive and chief operating officer of Bytedance

June 2020: India bans TikTok among dozens of other Chinese apps

July 2020: US Secretary of State Mike Pompeo, and then President Trump, say TikTok might be banned

August 2020: Microsoft and Oracle make rival approaches to acquire or otherwise operate TikTok in the US and three other markets. Mr Meyer announces he is leaving the company because the “political environment has sharply changed”

September 2020: TikTok says it has more than 100 million active users in Europe. It recently said it had a similar number in the US, and has been estimated to have more than 800 million engaged members worldwide

Related Topics

  • Social networks

  • TikTok
  • China
  • Donald Trump
  • United States

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TikTok: What is Oracle and why does it want the video-sharing app?

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By Cristina Criddle
Technology reporter

Oracle founder Larry Ellison

image copyrightGetty Images

image captionOracle founder and chairman Larry Ellison is worth about $75bn (£57.3bn), according to Forbes

Software giant Oracle is believed to be the frontrunner in the bidding war for short-form video app TikTok.

Microsoft dropped out of negotiations with Chinese-company Bytedance on Sunday night, after which

Reuters reported that Oracle would become its technology partner and assume management of TikTok’s US user data.

The partnership should address US security concerns but not be a complete sale, sources told the agency.

However, Chinese state media has said Bytedance will not sell its US operations outright, nor will it share TikTok’s source code.

Oracle’s security roots

Oracle sells database technology and cloud systems to businesses. It was one of the first companies to help clients structure their records in this way.

Co-founder and current chairman Larry Ellison named the company after the codename given to a project for its first customer, in 1975: the Central Intelligence Agency (CIA).

The firm was founded two years later and went on to complete contracts for the CIA, Navy Intelligence, Air Force Intelligence and the National Security Agency.

News site Gizmodo has detailed Oracle’s involvement with US government intelligence community, and says it is relationship that has been “frequently ignored by people who like to pretend Oracle was just another humble Silicon Valley start-up”.

But its clients and cloud-based services now extend far wider, from serving auto-makers including Mazda and Yamaha to retailers such as the UK’s Co-op and Debenhams chains.

Oracle’s technologies can be used to keep track of everything, Mr Ellison has said.

“The information about your banks, your checking balance, your savings balance, is stored in an Oracle database,” he said in Jeffery Rosen’s 2004 book The Naked Crowd.

“Your airline reservation is stored in an Oracle database. What books you bought on Amazon is stored in an Oracle database. Your profile on Yahoo! is stored in an Oracle database… Privacy is already gone.”

A safe choice?

The US administration claims TikTok and other Chinese apps are national security threats which is why – given its history in intelligence – Oracle might be considered a trustworthy option.

“On the surface, Oracle and TikTok don’t seem like bedfellows,” said Chris Stokel-Walker, author of a forthcoming book about the platform.

“Oracle is a relatively boring business-to-business company, whereas TikTok is a youth-centred, casual app.

“But there is underlying geopolitics. If [US President Donald] Trump’s fears around TikTok are rooted in security, the company would be a safer bet.”

image copyrightReuters
image captionPresident Donald Trump has previously indicated he would support Oracle’s involvement
Mr Ellison – who is ranked the world’s fifth richest person by Forbes – has been openly supportive of President Trump and held a fundraiser for him in February.

The president had previously said he thought Oracle was best placed to seal the TikTok deal.

“I think Oracle is a great company, and I think its owner is a tremendous guy,” Mr Trump said last month. “He’s a tremendous person. I think that Oracle would be certainly somebody that could handle it.”

TikTok deadlines:

  • 15 September: Deadline given by President Trump for Bytedance to find a deal
  • 20 September: Executive order due to come into effect prohibiting companies under US jurisdiction doing business with Bytedance
  • 12 November: Second executive order comes into effect, giving Bytedance a deadline to fully divest the US assets of TikTok
But any deal would require the approval of both American and Chinese governments – and Chinese state media has reported that Bytedance will not sell to the company to Oracle.

Oracle has been accused of hostility towards China, after firing 900 staff from its team in the country last year, in the same week additional tariffs on Chinese goods were introduced in the US.

Employees blamed tensions between the US and China for the cuts.

media captionHow the US-China trade war has changed the world

‘Tech partnership’

It is understood that Oracle’s involvement in TikTok will not be an outright sale but instead a “tech partnership”, the Wall Street Journal and Reuters report.

That suggests the US firm’s control over the business would be limited.

Two weeks ago, China announced new government restrictions on tech exports. They mean some technologies involving artificial intelligence techniques need government approval before any sale to a foreign entity takes place.

Many view the way TikTok decides which videos to recommend to whom and when as being its key asset, and it may be that Oracle will not be allowed to know exactly how it works or make use of it for other purposes,

“A deal where Oracle takes over hosting without source code and significant operational changes would not address any of the legitimate concerns about TikTok, and the White House accepting such a deal would demonstrate that this exercise was pure grift,” Alex Stamos, former chief security officer at Facebook, tweeted.

But another expert thinks the partnership could work.

“The security element with Oracle could ease tensions, but it can also help TikTok be a bit more mature in its outlook,” said Tamara Littleton, founder of The Social Element consultancy.

“TikTok is struggling to control its content at the moment, and its revered algorithm can work against it sometimes. Oracle’s experience could help to fix some of these problems.”

TikTok and Oracle both declined to comment when contacted by the BBC.

Related Topics

  • TikTok

  • China
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OnePlus buds seized as ‘fake Apple AirPods’ by US customs

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A split screen shows two images of the alleged counterfeit airpods, including a box with the logo and text of the OnePlus brand

image copyrightCBP

image captionCBP posted these images of “counterfeit Apple Airpods”

Thousands of “counterfeit Apple AirPod earbuds” seized entering the US by customs officials appear to be genuine wireless earphones made by OnePlus.

“That’s not an Apple,” Customs and Border Protection (CBP) tweeted.

And an accompanying press release lauded “the vigilance and commitment to mission success” of the officers.

But the photograph tweeted by CBP clearly shows OnePlus-branded earphones. And OnePlus simply replied on Twitter: “Hey, give those back.”

‘Various dangers’

Officers at John F Kennedy International Airport had seized 2,000 “counterfeit Apple AirPod earbuds from Hong Kong destined for Nevada”, CBP said.

“CBP officers are protecting the American public from various dangers on a daily basis,” the New York field operations director added.

“If the merchandise were genuine”, the press release said, the earphones would be worth $398,000 (£310,000) or $199 a pair.

But OnePlus’s earphones sell for less than half that amount.

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This world-renowned Gambian musician is building an academy so children can study their own culture — without leaving Africa

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Written by Rachel Wood, CNN

She has found international fame as a musician, but Sona Jobarteh has a bigger mission — to use culture to empower Africans to reform their countries.

Jobarteh has been performing with the kora — a 21-stringed African harp — on the world stage since she was five years old, becoming the first professional female kora player in the West African country of The Gambia. You can hear her vocals on the soundtrack to the movie “Mandela: Long Walk to Freedom.”

As well as being an acclaimed performer, Jobarteh is a scholar in the field of traditional West African Mande music, and it was during her studies at SOAS University in London that she came to a realization.
“[SOAS] has one of Europe’s largest libraries containing African literature and resources — an absolutely amazing place,” she told CNN. “But why should Africans leave Africa to go and study their own culture? This is something that didn’t sit well with me.”

The Gambia’s first female professional kora player is hoping to educate the next generation

Wanting to give Gambians a sense of pride in their own culture, Jobarteh is now building an expansive campus for academic and cultural studies — complete with concert hall, amphitheater and recording studio.

History of the academy

Jobarteh founded The Gambia Academy in 2015, teaching school-age children a mainstream curriculum alongside African history, culture and traditional music.

Her idea was to create a course of study that highlighted the country’s culture in a way that could be replicated and implemented across the country.

The Academy started with 21 students — “to symbolize the kora’s 21-stings,” said Jobarteh — in a makeshift facility in Farato, a rural town in western Gambia.

Sona Jobarteh playing the kora during a World Music Institute concert at Symphony Space, New York, June 2019. Credit: Jack Vartoogian/Getty Images/Archive Photos/Getty Images

More than half of the children were orphans from rural communities, who had little or no access to education. The intake has since expanded to 40 students, whose fees are paid by Jobarteh.

But with a growing waiting list of new applicants, the academy is expanding to a purpose-built site in Kartong, southwestern Gambia, with capacity for 500 students, ranging in age from eight to 18.

The academy also plans to invite international students and musicians to further the educational experience of the children.

“Center for cultural knowledge”

Building in a remote location in rural Gambia comes with plenty of challenges: “heat, humidity and heavy downpours” along with “termite infestation and snakes,” said the British project manager Ron Mitchell in an interview.

But for Mitchell, the project is worth the hardship. “For the first time there will be a place of learning in a bright, natural setting that blends African tradition, arts and culture with academia that allows disadvantaged young people to learn alongside adults from all over the world,” he said.

The design seeks to use various sustainable, locally sourced materials including timber, natural straw and compressed earth blocks. The site will also be self-sufficient, using solar power for water and electricity.

The most eye-catching elements are the “five specialist cultural facilities” — including a multimedia department, concert hall and archive library — which Jobarteh hopes will form a “center for cultural knowledge.”

The project has received $45,000 from UNICEF, enough to begin construction in November on the Junior Department’s main building. Meanwhile, fundraising is underway for the remainder of the estimated $3 million total cost, with the aim of completing the full build by the end of 2021.

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